Thursday, January 26, 2017
What Caught My Ear - 17.2 and 17.3
So what new music have you found so far in 2017? I think that music can help bring us together, whatever our politics, religion, worldview, or life experiences - and we really need that now! As Levon Helm once said "If you pour some music on whatever's wrong, it'll sure help out."
What really caught my ear for 17.2 (Jan 13 releases) will surprise some of you. I listened several times to Oczy Mlody by The Flaming Lips. Wait - I can explain. Yes there are some really silly lyrics like:
At first there should be unicorns.
The ones with the purple eyes,
not the ones with green eyes.
And yes, there are enough (4-letter and other) words dropped which I don't use in the course of normal conversation, garnering the 'explicit' warning label on the cover - and some drug references (there you were warned). Yet those moments sneak in as they are sung so softly and are nearly-ethereal sounding that you barely notice. Maybe it is the unexpected of this album and that irony that catches the ear.
Don't be mistaken, there are still moments like this in "Sunrise (Eyes of the Young)":
Tell me love is neither living or dying
It's a power in your mind
I think it's with you all the time
It only hurts when it leaves you
Paste Magazine says The Flaming Lips here "manage to build a bridge to the rest of us norms, making some of their must listenable and straight-up lovely music along the way."
Moving on to less-sombre sounding music that caught my ear... this one comes from the garage rock sound of The Molochs on America's Velvet Glory. A reviewer on www.musicexistence.com describes 'The One I Love' as a tune that's "sweet without ever being too sugary with lyrics such as “I will pour the water on your heart to grow”.
Another project just as happier-sounding and fun comes from Colony House, a group making the late-night circuits to promote their sophomore release "Only The Lonely". Part of their fame comes from the fact that two of the band members' father is Steven Curtis Chapman, known for his success in contemporary Christian. The web site www.wepluggoodmusic.com credits their U2 and The Killers influences as the reason their sound is "a nostalgic trip to when music was not about perfection but about energy and making people dance."
What really caught my ear for 17.3 (Jan 20 releases) was first and foremost, Foxygen's Hang, on which the band enlisted the help of a 40-plus-piece symphony orchestra. I've loved Foxygen ever since 2013's "We Are the 21st Century Ambassadors of Peace & Magic". That's still a classic in my book and if you've never heard it, you should. I love how Foxygen takes elements from so many places, that, as you listen will sound familiar, yet fresh. Your mind will be so active, causing you to ask yourself repeatedly 'what does that remind me of?" - yet its like nothing you've heard before.
From the song "Rise Up":
Quite a few shall wonder
Very few shall know
Everybody wants to change the world
Everybody wonders where the red fern grows
Everybody wants to save their souls
And everybody wonders
The very few shall know
Here, Foxygen is performing the opening track on Conan, Follow The Leader.
Want something really different? Try Throwing Snow's Embers. The album ends as it begins, with the smoldering remains of a dying fire, driving home the album's theme of interconnectedness (www.allmusic.com). This is the second full-length release for the British electronic producer Ross Tones and includes natural field recordings from around the small English village he held the recording sessions at (www.metacritic.com). It will draw you in, not with lyrics, but with feelings, and with the imagery in your mind.
Now about tomorrow - 17.4! Japandroids release their new project Near To THe Wild Heart Of Life. The title track is already out and if it is anything like the rest of the album, I'll have good things to say. Title track kicks off with these lyrics:
The future's under fire
The past is gaining ground
A continuous cold war between
My home and my hometown
Also looking forward to Ellie Holcomb's new release. Her beautiful, rich and emotive tones have captured my ears for the last couple years. If you need to catch up, her last release "As Sure as the Sun" is available now via www.noisetrade.com. Get it now and prepare yourself for tomorrow and 17.4
Thursday, January 12, 2017
What Caught My Ear - 17.1
For years I have welcomed new music release day - always a Tuesday in the USA until July 2015 when it was moved to Fridays to get the entire world synced on the same day to standardize chart performance and reduce the potential for illegal downloads. So, I thought this year I'd let everyone in on what catches my ear as I look through the releases. I know my favorites will still be influenced by first what catches my eye - either by cover art, title, or the artist and will most likely be genres that I have an affinity towards - but I'll try to be more inclusive and wider in my considerations in selections.
So for the first release day of the year - 17.1 - I have two titles that I've been listening to.
Gone is Gone is a metal "super-group" composed of Troy Sanders (Mastodon), Tony Hajjar (At the Drive-In), Troy Van Leeuwen (Queens of the Stone Age), and film composer Mike Zarin. Not a head-banger? I wouldn't say I am either, but don't let that stop you from giving "Echolocation" a spin. At times bleak and heavy, the disc has a solid rock groove. As the reviewer on consequenceofsound.net writes, this collaboration is "a steely and glum collection, with crunchy guitar riffs giving way to brief expanses of ethereal textures".
One that I've listened to on repeat in the car even more this week is "11 Short Stories of Pain & Glory" - a product of the always-fun and raw Dropkick Murphys. Addictive in energy, Paste Magazine's description sums it up best... "Loss and the possibility of redemption represent the twin themes of pain and glory fueling the Celtic-punk band’s ninth album". And you really haven't heard "You'll Never Walk Alone" until you hear this brilliant cover version!
Let me know what you think about either of these ear-catching selections of the week.
Saturday, March 19, 2016
Remix: Tori Kelley
So hold me
Wrap me in love, fill up my cup
Empty and only your love can fill up my cup
Cause I'm hollow
While watching her coach these two on the song, four words she said jumped out to me -- "since it's about God". Now, that may not be news to everyone, but as much as I love to discover new music and artists and was aware of some of Kelly's story, I hadn't listened to much of her music. Takes me a little longer for me to get there with the 'pop' sound. Now with the realization that she is a woman of faith, I had a new desire to give her album a listen and dig deeper.
While running today I listened to the album. Some lyrics from some of the songs jumped out (click on the links to hear the songs as well) -
City Dove:
All I know is I'm holdin' on
I haven't figured anything out
I haven't figured anything anything anything out
City dove, fly between the buildings and fences
Soft inside but rough on the edges
Waiting here for something to come just holdin' on
Try to get to the heart of it
Fly low but lookin' for Heaven
I know, I know I'm holding on
Something Beautiful:
Breathe in and let it go, oh
Your tears are not for nothing
Let them fall off
In every tear drop there is something beautiful, oh
You are stronger than you know, oh
Oh you're something beautiful
Falling Slow:
But here I am, just a lot of broken pieces
I don't plan to leave and break your heart
[Chorus:]
What if I messed up? Would you give up on us?
Would you tear the page out like it never ever happened?
What if I told you you're doing fine? Stay cool
Swear I'll make it worthwhile, baby
You should know I'm always falling slow in love
Slow in love
Falling slow in love
Unbreakable Smile:
The way you live your life, depends on you
That’s when I realized I wanna make a difference
Use my name for good and change the game I could
Sure there is a bit of flirtation on the record too, that comes from being young and trying to find love - but the overwhelming themes are about love, commitment, loyalty, hope ... and just goes to prove that a Christian can make music anywhere, not just on a Christian label. Maybe this is part of what it really takes too to bring change to this world.
Here's a clip of Tori singing John Mark McMillan's How He Loves and another of Kari Jobe's Revelation Song - both from 2011.
Makes so much sense that I like her. She grew up listening to one of my favorite Christian artists from the 80's, Crystal Lewis.
If you're not a fan - hopefully you'll give Tori a first listen or at least a re-mix.
Tuesday, March 15, 2016
Slow Trauma
Now a couple decades removed the Vigilantes days, Bill and his wife Muriah have lived in the rural, high desert of New Mexico for the last 6 years. On his digital liner notes found on his web site, he says he is happy to have a home studio in which he feels increasingly comfortable... to the point that he has hit a creative output unlike anything he's ever done previously. "It's been a journey lyrically & musically. I saw David Bowie in the Elephant Man. And a line he delivered will always move me to tears: "There are so many ideas in my head that sometimes I feel like it will explode." I had to find out how he can be so creative, so prolific and keep it fresh. He clearly had some thoughts:
"...that's a lot of writing over 22 years, but it stills feels as fresh as the first song i ever wrote. the songs keep coming, so i record quick demo ideas and get to work on lyrics. I'm releasing something like 3-5 albums a year, and I stand by them all. That's the best thing about bidding the "industry" adieu in 2000. There's no one to answer. I tell younger artists all the time that you really don't need someone in a superstructure to give you "permission" to be artist. BUT, I also tell them that they better be willing to find their own voice, (not someone else's) and strive for originality.... and lastly, to make peace with the poverty and deprivation that will go with such a decision..."
Among all of his recordings, Mallonee considers "Slow Trauma" to be one of his 4 landmark recordings. It's that good! If you are interested, you can sample it at his website https://billmalloneemusic.bandcamp.com/album/slow-trauma You need to hurry though, while digital downloads and streaming will remain available, Bill is only doing a limited run of 500 CDs.
Grace is so important in our life and a consistent message in Mallonee's music, so I want to close with some profound words he penned in the liner notes, especially as we approach Easter and Resurrection Sunday:
"Still, the visible Church (it seems to me) often spends much of her time putting boundaries on just how far and to whom the Cross of Christ reaches; boundaries on just how far His Mercy reaches and how efficacious His Grace is.
No wonder eyes roll and hearts despair.
I must tell the whole truth, however:
On my “better days,” I have no doubts.
Well, fewer.
Love Wins,
Grace Triumphs
And that we’re all made Whole.
And I do mean “ALL.”
Everyone.
Every. One.
"He Is Risen," goes the Easter liturgy.
And you & I, the stumbling, wayward congregation of the spiritually poor, blind, sin-sick and lame respond:
"He Is Risen, Indeed!"
I'm there."
What keeps Mallonee writing, even if its to relatively small audiences compared to what others who have remained in the "industry" might have? ...the idea behind writing, he says, is to portray an honest human; one struggling with his own brokenness and wrestling to define what the million little daily manifestations of Life & Death may look like or be about.
So please ... get your copy of Slow Trauma ... join the journey.
Grace and Peace.
Tuesday, February 23, 2016
Being Served
Monday, April 29, 2013
It's a simple choice ... Lead, or be led!
Tuesday, March 19, 2013
My Come To Jesus Meeting
Monday, March 04, 2013
Real People in Black Robes
Monday, February 18, 2013
Little-g gods and the big-g God
Thursday, January 31, 2013
Understanding Israel's Place in Prophecy - the Seed Promise
Monday, January 21, 2013
A Case for the Truth (a book review)
Wallace’s journey parallels Lewis’s in that he was once an avowed atheist arguing against the existence of the God they both would come to believe in and defend. What makes Wallace’s perspective unique is his profession as detective, investigating cold cases and his experience in the courtroom.
Early in the book Wallace writes “even before examining the Gospels with the rigor we are going to apply…I recognized that they were consistent with what I would expect to see, given my experience as a detective.” Wallace uses his investigative and courtroom experiences as examples and analogies in his arguments in defense of the authenticity of the Bible. He counters opposing claims to biblical errors by citing historical (non-Christian) writers of the day, archeological finds and addresses the courtroom parallel of chain of custody and circumstantial evidence as convincing perspective.
About the claim from skeptics that the Gospels were written after the life of Christ as part of a conspiracy, Wallace says the best way to counter this is to retrace the chain of custody to look for a mishandling of the evidence from point of ‘crime scene’ to first appearance in the ‘courtroom’. After much meticulous detail, he could find none.
Wallace contends that just as a defendant should be considered innocent until proven guilty, skeptics get it wrong when they claim that the burden for the proof of the Christian worldview belongs to Christians, adding that naturalism is the default position that need not be proved. Wallace believes that if a declaration is being made which cannot be supported by evidence, it is only an attempt to destroy or distract, which if those same tactics used to try to disqualify the Gospels were used on other writings they would also disqualify non-biblical historical texts.
After a fascinating read, Wallace’s passion which led him to write the book is clear. His hope is that his skeptical friends would lay aside presuppositions long enough to consider the possibility of a substantive circumstantial case supporting the reliability of the gospel writers. He also hopes that Christians will be more ready and able to make “a case for the truth.” ...and that, I am.
Friday, January 18, 2013
Wednesday, August 01, 2012
Why I will not eat at Chick-Fil-A today!
Saturday, December 31, 2011
2011: For the Record
As this year is ticking quickly to a close, I felt it was time for me to put in my 2-cents about the music of 2011. I’ve seen many other best of lists, and wanted to throw my voice into the ring as well.
Anyone who knows me personally from time spent working together during my broadcasting career, or who serves side-by-side with me on the church worship team, or only knows me casually through Facebook posts, will know that I love music… but beyond that, I love to discover new music and introduce others to it. It’s like a second language for me. I monitor new releases every single Tuesday and utilize www.spinner.com and Spotify to listen before I buy in my search of treasured projects. I love to be part of the smaller market share, on the cutting edge … U2 was my favorite college band while that’s all they were, four young college-age kids from Dublin with a couple of records out that had some great spiritual lyrics. I’m actually often saddened and ready to move on if and when my discovered artist wins the favor of the populace … not because I enjoy them less, but because I fear they will no longer be true to themselves enough to remain special and original and will instead make music that they’re told will sell to the masses. U2 has been the one exception. While the band has evolved and gone through musical seasons of style, this year they hold claim as the biggest touring success of 2011, and yes, I still follow them whole-heartedly as my favorite artist of all time.
Another artist whom I discovered two years ago when she was 19 and chasing pavements, added millions of fans this year with her release of 21. Adele’s 21 has become the biggest selling album of the last seven years and has enjoyed 43 straight weeks in the top five of the Billboard 200, setting a record for most weeks in the top five in the chart's 55-year history. Adele has a charm that’s undeniable; she offers no pretenses, other then displaying some occasional insecurity in her vulnerability to sing about her failed relationships at such a young age. That, I believe is why people love her so much. While this ability to relate gains the staying power of her fans, their original interest is in her voice, which alone is the instrument and in need of nothing else to make her music memorable. There was really nothing else like it on the radio in 2011. To make that case, "Someone Like You" is the first piano-and-vocal-only ballad to hit No. 1 on the Billboard Hot 100.
Adele has nearly single-handedly turned around the music industry after 2010 saw album sales fall 13%, while sales averaged an 8% drop every year in the 2000s. In 2011, the industry experienced a 1% increase in album sales and more than a 3% increase in overall music sales. Michael Buble's holiday album sold almost two million records in the last several weeks to become the second biggest album of 2011 while Lady Gaga is expected to end up with the third highest seller. Gaga has only sold half of Adele’s sales even with the suspected inflation of sales during her album’s first week when Amazon sold digital copies for 99-cents.
So how does this have anything to do with my personal best of list? It lends clarification to why I have the top-selling record of the year, a popular artist and project, as my top record of the year as well. Otherwise, my selected Top 20 for 2011 list shares only 5 other records that generated enough sales to chart in Billboard’s Top 200 … and only 1 of those was in the top 100 (sales rank appears in parenthesis).
I won’t speak of each one individually, but having always felt that Charlie Peacock was underappreciated as a musical genius, I am very pleased that he garnered success with The Civil Wars. While Barton Hollow may not have charted high in sales, Jill Williams and John Paul White have gained tremendous attention and are ending up on many end-of-year best of lists. I find it ironic and disappointing that Charlie was not able to enjoy this success as producer within the Christian music industry. Congratulations to Charlie for his new success. Hopefully, he will experience even more.
My first 7 albums were extremely difficult to rank as all are amazing projects and deserve your ear. I would love to hear your thoughts, your disagreements, and your feedback on which of your favorite projects should have appeared on my list.
I can’t wait to discover even more great music in 2012!! Anyone care to join me?
1 Adele/21 (1)
2 The Civil Wars/Barton Hollow (153)
3 Gungor/Ghosts Upon The Earth
4 Fleet Foxes/Helplessness Blues (123)
5 Tedeschi Trucks Band/Revelator
6 The Black Keys/El Camino
7 Over The Rhine/The Long Surrender
8 Iron & Wine/Kiss Each Other Clean
9 Florence + The Machine/Ceremonials
10 Robbie Robertson/How To Become Clairvoyant
11 Coldplay/Mylo Xyloto (35)
12 Bon Iver/Bon Iver (100)
13 Death Cab For Cutie/Codes And Keys (143)
14 My Morning Jacket/Circuital
15 Steve Earle/I'll Never Get Out Of This World Alive
16 Eisley/The Valley
17 Jamie Grace/One Song At A Time
18 Ben Harper/Give Till It's Gone
19 Bruce Cockburn/Small Source Of Comfort
20 Amos Lee/Mission Bell
(Honorable mention: Peter Bjorn and John/Gimme Some; Edwin McCain/Mercy Bound; Tom Waits/Bad As Me; Needtobreathe/The Reckoning; Ben Harper/Give Till It’s Gone; Owl City/All Things Bright and Beautiful; Cake/Showroom of Compassion; Eddie Vedder//Ukulele Songs; Gregg Allman/Low Country Blues; Sam Phillips/Long Play project)
References:
http://www.billboard.biz/bbbiz/retail/21-by-the-numbers-billboard-breaks-down-1005645152.story
http://www.allaccess.com/net-news/archive/story/100397/happy-old-year-record-sales-increase-in-2011
